{"id":836,"date":"2021-02-18T18:44:53","date_gmt":"2021-02-18T20:44:53","guid":{"rendered":"https:\/\/flavianasampaio.com\/?page_id=836"},"modified":"2023-09-08T05:47:56","modified_gmt":"2023-09-08T08:47:56","slug":"publications","status":"publish","type":"page","link":"https:\/\/flavianasampaio.com\/pt\/publications\/","title":{"rendered":"Publica\u00e7\u00f5es"},"content":{"rendered":"
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Sampaio, F. X. A. ‘If There Were a Single Bahian (Brazilian) Dance Culture\u2026’ Available at: https:\/\/iafor.org\/journal\/iafor-journal-of-cultural-studies\/volume-7-issue-2\/article-4\/ (Accessed: 31 August
2023)<\/p>

SAMPAIO, F. X. A. (2019) \u201cMutus Liber: Lights and doubts\u201d, International Journal of Research and Analytical Reviews,<\/em> v, 6, n. 2, p. 400-408.<\/p>

Sampaio, F. X. A. \u2018Flexible surfaces: shadow as a continuum of dancers', Studies in Visual Arts and Communication: an international journal Vol 4, No 2 (2017) on-line ISSN 2393 - 1221. Dispon\u00edvel em:\nhttp:\/\/journalonarts.org\/wp-content\/uploads\/2018\/01\/SVACij_Vol4_No2-2017_Flaviana-X-A-Sampaio_Flexible-surfaces-shadow-as-a-continuum-of-dancers.pdf<\/a> (Acesso em: 15 Maio 2018)<\/p>

Sampaio, F. X. A. \u2018Imbrica\u00e7\u00f5es entre corpo e sombra\u2019 Urdimento (UDESC), v.1, n.28, p. 65-77, 2017. Dispon\u00edvel em: http:\/\/www.revistas.udesc.br\/index.php\/urdimento\/article\/viewFile\/9598\/6947<\/a> (Acesso em: 04 Setembro 2017)<\/p>

Sampaio, F. X. A. \u2018Narrativas do breu: escurid\u00e3o e sombra no cinema e na dan\u00e7a\u2019. Visualidades (UFG) , v. 14, p. 240-255, 2016. Dispon\u00edvel em: https:\/\/www.revistas.ufg.br\/VISUAL\/article\/viewFile\/35568\/21630<\/a> (Acesso em: 04 Setembro 2017)<\/p>

Sampaio, F. X. A. \u2018Luz al\u00e9m do clar\u00e3o. Urdimento (UDESC), v. 2, pp. 51-62, 2014. Dispon\u00edvel em: http:\/\/www.revistas.udesc.br\/index.php\/urdimento\/article\/view\/141457310223014051<\/a> (Acesso em: 04 Setembro 2017)<\/p>

Sampaio, F. X. A. (2014) Dan\u00e7a de Luzes, Vit\u00f3ria da Conquista: Edi\u00e7\u00f5es Uesb<\/p>

Sampaio, F. X. A. (2013) ‘Visual\/Musical Effects in Two Dance Performances’,in: Shephard, T. & Leonard, A. (ed.) The Routledge Companion to Music and Visual Culture, New York: Routledge, pp. 339-344<\/p>

Sampaio, F. X. A. (2013) \u2018Rel\u00e2mpago de Luzna Dan\u00e7a: Entre o sol e o set light\u2019, in: Repert\u00f3rio, 21, pp. 217-227 [Online]. Dispon\u00edvel em:: http:\/\/www.portalseer.ufba.br\/index.php\/revteatro<\/a> (Acesso em: 08 Setembro 2014)<\/p>

Sampaio, F. X. A. (2013) \u2018Manihot Esculenta: Do Visual ao Musical\u2019, in: Anais do IV Semin\u00e1rio de Letras e Artes e II Simp\u00f3sio de M\u00fasica \u00cdbero-Americana: transdisciplinaridade e temporalidades, pp. 178-190 [Online]. Dispon\u00edvel em: http:\/\/simposioppgla.net\/arquivos\/Anais_PPGLA_2013.pdf<\/a> (Acesso em: 08 Outubro 2014)<\/p>

Sampaio, F. X. A. (2011) \u2018Ver\/Sentir Luz na Dan\u00e7a: Id\u00e9ias em Ambi\u00eancia e Percep\u00e7\u00e3o\u2019, in: Tessituras & Cria\u00e7\u00e3o, 2, pp. 73-83 [Online]. Dispon\u00edvel em: http:\/\/revistas.pucsp.br\/index.php\/tessituras\/article\/view\/8020\/6004<\/a> (Accessed: 08 October
2014)<\/p>

Sampaio, F. X. A. (2010) \u2018O Ensino da Ilumina\u00e7\u00e3o no Curr\u00edculo Acad\u00eamico em Dan\u00e7a\u2019, in: Gambiarra, 3, [Online]. Dispon\u00edvel em: http:\/\/www.uff.br\/gambiarra\/artigos\/0003_2010\/danca\/Xavier\/xavier.php<\/a> (Acesso em: 08 Outubro 2014)<\/p>

Sampaio, F. X. A. (2010) \u2018Duas Performances, Um Foco: A ilumina\u00e7\u00e3o como agente propositivo em Caught e God exists, the mother is presente, but they no longer care\u2019, in: VI Congresso de Pesquisa e P\u00f3s-Gradua\u00e7\u00e3o em Artes C\u00eanicas [Online]. Dispon\u00edvel em: http:\/\/portalabrace.org\/vicongresso\/processos\/Flaviana%20Xavier%20Antunes%20Sampaio.pdf<\/a> (Acesso em: 08 Outubro 2014)<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Publications Sampaio, F. X. A. ‘If There Were a Single Bahian (Brazilian) Dance Culture\u2026’ Available at: https:\/\/iafor.org\/journal\/iafor-journal-of-cultural-studies\/volume-7-issue-2\/article-4\/ (Accessed: 31 August2023) SAMPAIO, F. X. A. (2019) \u201cMutus Liber: Lights and doubts\u201d, International Journal of Research and Analytical Reviews, v, 6, n. 2, p. 400-408. Sampaio, F. X. A. ‘Flexible surfaces: shadow as a continuum of dancers’, […]<\/p>","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"site-sidebar-layout":"default","site-content-layout":"default","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"default","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"class_list":["post-836","page","type-page","status-publish","hentry"],"yoast_head":"\nPublications - Flaviana Sampaio<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/flavianasampaio.com\/pt\/publications\/\" \/>\n<meta property=\"og:locale\" content=\"pt_BR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Publications - Flaviana Sampaio\" \/>\n<meta property=\"og:description\" content=\"Publications Sampaio, F. 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